The earliest series. Twelve AutoCAD-based architectural plans, each held in a methacrylate box — drawings that behave like screens, where architecture, interface and virtual reality collapse into the same visual system. Reality after the interface: plans that are also windows, layers and folders.
RAMBLE ON is a series of twelve AutoCAD-based works presented as PDF architectural plans, each contained inside a methacrylate box measuring 96 × 72 × 6 cm. The works operate like real plans, but also like screens: flat surfaces where architecture, interface and virtual reality collapse into the same visual system.
The title refers to the act of rambling: to wander, to speak excessively, to continue without a fixed direction. In the work, this idea is transferred from language to space. The pieces behave like a thought process without a single centre, a visual discourse that moves through fragments, scales, rooms, objects, memories and systems of representation.
RAMBLE ON addresses the imitation of reality inside virtual space. It does not present architecture as a stable physical environment, but as something translated into lines, layers, blocks, scales, folders and digital commands. Reality appears as a technical construction: something that can be copied, pasted, moved, resized, archived, deleted or reorganised.
The use of AutoCAD is essential. These are not expressive drawings in a traditional sense, but architectural files transformed into visual systems. Walls, furniture, objects and domestic fragments are treated as editable data. Everything appears ordered, measured and classified, yet the overall structure remains unstable. The precision of the architectural plan becomes a form of fiction.
The methacrylate boxes give the works a physical body. Each drawing is contained, protected and displayed like an object, but also like an interface. The box becomes a screen, a capsule, a display device and a frame. It turns the technical plan into something suspended between document, object and digital image.
In this sense, RAMBLE ON works on the border between architecture and interface. The plans seem to describe real spaces, but they also imitate the logic of the screen: layers, windows, folders, fragments and simultaneous information. The viewer does not simply look at a drawing; they look at a reality that has already passed through software.
The work speaks about the contemporary condition of experiencing the world through interfaces. Reality is no longer only inhabited directly; it is mediated through screens, files, PDFs, windows, menus, databases and digital representations. Architecture becomes a visual system. Space becomes something to be read, navigated and reorganised.
RAMBLE ON can also be understood as a portrait of the contemporary mind. Like the internet, it accumulates fragments, references, scales and images without fully resolving them. The work does not seek a final composition, but a state of permanent reorganisation. It produces a space where everything can be classified, but nothing is completely fixed.
The series transforms the architectural plan into an imitation of a screen, and the screen into an imitation of a plan. What appears to be a document is also an interface. What appears to be order is also digression. What appears to be architecture is also a system of virtual thought.
RAMBLE ON is ultimately a work about reality after the interface: a set of physical plans that behave like digital spaces, contained inside methacrylate boxes as if each drawing were a screen holding a fragment of an imitated world.